Please wait to be seated

DESIGN: Rui Pereira & Ryosuke Fukusada

ANZA meaning ‘to sit at ease’ in Japanese, ANZA is a seating collection comprising a pouffe, bench and coffee table.
This collection, part of a wider modular system, aims at enhancing both domestic and public environments.

UPHOLSTERY:

PRICE GROUP 2:
xtrem plus (Camira), stamskin top (Serge Ferrari)

PRICE GROUP 3:
fame (Gabriel), remix 2 (Kvadrat), re-wool (Kvadrat),
com fabric

PRICE GROUP 4:
divina (Kvadrat), steelcut trio 3 (Kvadrat),
hallingdal 65 (Kvadrat), bizon leather (Camo)

PRICE GROUP 5:
spectum leather (Sørensen), savanne leather (Sørensen), dunes leather (Sørensen)

DESIGN: Rui Pereira & Ryosuke Fukusada

ANZA meaning ‘to sit at ease’ in Japanese, ANZA is a seating collection comprising a pouffe, bench and coffee table.
This collection, part of a wider modular system, aims at enhancing both domestic and public environments.

UPHOLSTERY:

PRICE GROUP 2:
xtrem plus (Camira), stamskin top (Serge Ferrari)

PRICE GROUP 3:
fame (Gabriel), remix 2 (Kvadrat), re-wool (Kvadrat),
com fabric

PRICE GROUP 4:
divina (Kvadrat), steelcut trio 3 (Kvadrat),
hallingdal 65 (Kvadrat), bizon leather (Camo)

PRICE GROUP 5:
spectum leather (Sørensen), savanne leather (Sørensen), dunes leather (Sørensen)

DESIGN: Rui Pereira & Ryosuke Fukusada

ANZA meaning ‘to sit at ease’ in Japanese, ANZA is a seating collection comprising a pouffe, bench and coffee table.
This collection, part of a wider modular system, aims at enhancing both domestic and public environments.

UPHOLSTERY:

PRICE GROUP 2:
xtrem plus (Camira), stamskin top (Serge Ferrari)

PRICE GROUP 3:
fame (Gabriel), remix 2 (Kvadrat), re-wool (Kvadrat),
com fabric

PRICE GROUP 4:
divina (Kvadrat), steelcut trio 3 (Kvadrat),
hallingdal 65 (Kvadrat), bizon leather (Camo)

PRICE GROUP 5:
spectum leather (Sørensen), savanne leather (Sørensen), dunes leather (Sørensen)

DESIGN: Mette Schelde.

Turn the disc to switch the lamp on or off, or use it as a dimmer. Because of the hidden LED bulb which reflect the light into the hollow disc, the table lamp creates a soft and cozy light perfect for small nooks and crannies. Perfect for your windowsill or on your bedside table.

DESIGN: Fräg Woodall.

Anything named after the famous beach will have the waveform at its heart. Like the Opera House in Australian designer Fräg Woodall’s hometown of Sydney.

The BONDI chair is inspired by Woodall’s earliest memories of watching artisans at work, fascinated by the way they joined and fitted timber. The seat is neat, precise and no-frills, with a crisp, beach-friendly curve. A touch eccentric yet witty, fresh and confident, this is a hard-working, cheerful and characterful chair that would sit just as comfortably in a busy restaurant or café as in a kitchen or dining space at home.

DESIGN: Daniel Schofield.

The CROFTON Stool collection gives an understated nod to elegant Asian design traditions whilst embracing honest, natural pinewood. Pine is one of the most common types of wood in the Nordics and it paves the way to working with local materials in the design of new Scandinavian furniture.

DESIGN: Laura Bilde.

This multifunctional design is not just a practical coffee table. The stained black ash wood table tops can be turned into trays used on their own.

DESIGN: Laura Bilde.

These trays can be used to serve your friends or enjoy breakfast in bed. But their function doesn’t stop there, because these trays also work as table tops for the KANSO tray table.

DESIGN: Laura Bilde.

This multifunctional design is not just a practical side table. The stained Black ash wood table tops can be used on their own as trays. 

DESIGN: Studio Pesi.

True to its name, the MAIDEN chair exudes the pure and simple beauty of the perfect chair and uncompromised craftsmanship. Korean Designer Hwi, founder of the award-winning STUDIO PESI, wanted to explore the basics of designing a comfortable, highly crafted chair — and display how simple it can be done.

The MAIDEN chair’s strong, supportive silhouette and design elements never compromise comfort or functionality.

DESIGN: PWTBS

The MEGUMI glass pendant collection gives a fresh, contemporary touch to traditional light design.
The two shades that create a drop cast an ambient, diffuse illumination in a corridor, kitchen or any office space which needs a general, softened light lamp.

The mouth-blown, delicately rounded top contour of the pendant, is in contrast to the sharp bottom edges and is a playful response to the traditional design of the globe light. The MEGUMI collection is a subtle nod to the aesthetics of Japanese hanging lamps.

DESIGN: All the way to Paris

Hang them, turn them and make them your own. The pin boards are designed as a flexible module system in three sizes. Hang them in your home, pin your memories and create the visual image you want. These pin boards also have an acoustic sound absorbing effect, so they can be used in offices, at home or maybe at a recording studio.

DESIGN: Krøyer-Sætter-Lassen.

Inspired by a photographer’s use of light equipment, PODGY strives to create an accurate illumination that serves the needs of everyday life. By combining several classic elements from Scandinavian design heritage with a refined expression focusing on composition and materiality Krøyer-Sætter-Lassen has put PODGY into a contemporary present.

Integral to PODGY is a honeycomb aluminium structure that casts a pleasingly diffuse light while also providing directed illumination. The honeycomb array was originally used by photographers to generate a soft and controlled light in the studio.

The spherical dimmer on top of PODGY lets you adjust the density and intensity of light, besides changing the look and feel of the lamp, creating a playful interaction between the lamp and you.

DESIGN: Meike Harde.

Sharing its name with our next-nearest star (Proxima Centauri), this hanging glow-globe gives an ambient and diffuse, subtle yet all-around illumination that adds intimacy to your space.

The light from the PROXIMA pendant is filtered through hundreds (we haven’t counted) of see-through apertures which angle the light in all directions. As it spreads through any room, its soft and cosy radiance creates a beautiful atmosphere after dark, when the party’s hotting up, or when you just want to give your room a flavour of intrigue.

DESIGN: Egon Eiermann.

Egon Eiermann designed the S197 R20 counter office chair back in 1949. With its height-adjustable function, this sophisticated office chair will give you the perfect seating at any table.

DESIGN: Egon Eiermann.

The SB38 is designed by Egon Eiermann, and express a simplicity, which can only be found in his designs. Because of this minimalistic design, you can fit it into every room and space. Goes well with the SE68 if some extra guests decide to show up.

DESIGN: Egon Eiermann.

The German architect Egon Eiermann designed this chair for the World Expo 1956 in Brussel and it has been used by architects and creative people ever since.
Becoming a universal tool for people of creativity, this chair is reduced to the minimum in its design, the sustainability of materials and to the clear language of its form.

DESIGN: Egon Eiermann.

The German architect Egon Eiermann designed this chair for the World Expo 1956 in Brussel and it has been used by architects and creative people ever since.
Becoming a universal tool for people of creativity, this chair is reduced to the minimum in its design, the sustainability of materials and to the clear language of its form.

DESIGN: Egon Eiermann.

The SE42 was designed back in 1949 by Egon Eiermann, and is known to be quite a masterpiece. The chair, with its timeless design, give a sophisticated look with its curves and twists and would fit into any dining room.

DESIGN: Egon Eiermann.

The SE68 dining chair was originally designed as an orchestra chair back in 1951. The chair has become an iconic piece of furniture valuing comfort and aesthetics and has become very popular among architects and other creative people. The comfort is unique whether it is upholstered or not.

DESIGN: Faye Toogood.

This chair is a mix between the classic milking stool and the handle of a spade. Pile your towels on it in the bathroom, use it to unlace your muddy boots in the hallway or exhibit it as a minimalistic artwork in the living room… You could also use it as a chair in your dining room.

DESIGN: Faye Toogood.

With a recognizable tubular approach, the TUBBY TUBE STOOLS build on the same design language as Faye Toogood’s iconic SPADE CHAIR. “Tubby yet elegant” is the way to describe the TUBBY TUBE STOOL collection of three heights. A unique composition of bulky round tubes with a wooded seat or a chunky soft seat pad – a play on volume meeting a tubular frame that creates a classic yet contemporary expression. Place the stools by your kitchen counter, in a bar or restaurant or wherever you need comfortable yet elegant seating spaces.

DESIGN: Faye Toogood.

With a recognizable tubular approach, the TUBBY TUBE STOOLS build on the same design language as Faye Toogood’s iconic SPADE CHAIR. “Tubby yet elegant” is the way to describe the TUBBY TUBE STOOL collection of three heights. A unique composition of bulky round tubes with a wooded seat or a chunky soft seat pad – a play on volume meeting a tubular frame that creates a classic yet contemporary expression. Place the stools by your kitchen counter, in a bar or restaurant or wherever you need comfortable yet elegant seating spaces.