216,900 kr
The Outline Dining Chair is designed by Norm Architects for the Japanese furniture brand Ariake. True to its name, the Outline chair is defined by the precise, graphic quality of its silhouette — a clean, considered form that draws the eye through its structure rather than its mass. This version features a Sumi ash frame — ash treated with traditional Japanese Sumi charcoal finishing — lending the chair a deep, smoky tone that adds tonal drama to any dining setting. Available in multiple seat configurations, the Outline chair works equally well as a standalone accent or as part of a cohesive dining setting.
Ariake is a Japanese furniture brand rooted in the craft traditions of the Ariake region of Kyushu. The brand collaborates with international designers to create furniture that bridges Japanese material culture and contemporary European design sensibility. Each piece is made with deep respect for natural materials, traditional techniques, and the slow, considered process of making.
245,900 kr
The Outline Dining Chair is designed by Norm Architects for the Japanese furniture brand Ariake. True to its name, the Outline chair is defined by the precise, graphic quality of its silhouette — a clean, considered form that draws the eye through its structure rather than its mass. This version combines a Sumi ash frame — ash treated with traditional Japanese Sumi charcoal finishing — with an upholstered seat in leather or fabric, bringing together tonal depth and tactile comfort in a single, considered design.
Ariake is a Japanese furniture brand rooted in the craft traditions of the Ariake region of Kyushu. The brand collaborates with international designers to create furniture that bridges Japanese material culture and contemporary European design sensibility. Each piece is made with deep respect for natural materials, traditional techniques, and the slow, considered process of making.
98,900 kr
DESIGN: Paolo Cappello & Simone Sabatti.
Ozz becomes light and stone. He moves from domestic intimacy to the center of the house, showing himself as the protagonist of the space with a large arch that draws attention to himself. The design begins in the concrete and ends in the lampshade. In the middle, the stem flexes with a scenographic parabola that lets the light fall.
369,900 kr
DESIGN: Paolo Cappello & Simone Sabatti.
Ozz becomes light and stone. He moves from domestic intimacy to the center of the house, showing himself as the protagonist of the space with a large arch that draws attention to himself. The design begins in the concrete and ends in the lampshade. In the middle, the stem flexes with a scenographic parabola that lets the light fall.
229,900 kr
DESIGN: Paolo Cappello & Simone Sabatti.
Ozz becomes light and stone. He moves from domestic intimacy to the center of the house, showing himself as the protagonist of the space with a large arch that draws attention to himself. The design begins in the concrete and ends in the lampshade. In the middle, the stem flexes with a scenographic parabola that lets the light fall.
119,900 kr
DESIGN: Paolo Cappello & Simone Sabatti.
Ozz becomes light and stone. He moves from domestic intimacy to the center of the house, showing himself as the protagonist of the space with a large arch that draws attention to himself. The design begins in the concrete and ends in the lampshade. In the middle, the stem flexes with a scenographic parabola that lets the light fall.
219,900 kr
DESIGN: Paolo Cappello & Simone Sabatti.
Ozz becomes light and stone. He moves from domestic intimacy to the center of the house, showing himself as the protagonist of the space with a large arch that draws attention to himself. The design begins in the concrete and ends in the lampshade. In the middle, the stem flexes with a scenographic parabola that lets the light fall.
165,000 kr
HÖNNUN: Nick Ross.
P-L línan er hönnuð af skosk-sænska hönnuðinum Nick Ross. Hún sækir innblástur í „post-and-lintel“ burðarvirkiskerfið sem notað var í arkitektúr Forn-Grikkja, Indverja og Egypta, en það lýsir byggingaraðferð þar sem lóðréttar súlur eru notaðar til að bera lárétta bita.
EFNIVIÐUR: Ál.
MÁLSETNINGAR. H: 99cm. x B: 37cm. x D: 46cm.
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HÖNNUN: Nick Ross.
P-L línan er hönnuð af skosk-sænska hönnuðinum Nick Ross. Hún sækir innblástur í súlnagöng (e. post-and-lintel), byggingarkerfi sem notað var í arkitektúr Forn-Grikkja, Indverja og Egypta. Kerfið byggir á því að nota lóðréttar súlur til að bera lárétta bita eða þvertré.
P-L 07 kertastjakinn fæst í tveimur litum: silfurlituðu og svörtu eloxuðu áli.
EFNIVIÐUR: Ál
MEÐHÖNDLUN: Anodized.
MÁL. H: 7 cm. x B: 14 cm. x D: 14 cm.
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HÖNNUN: Nick Ross.
P-L línan er hönnuð af skosk-sænska hönnuðinum Nick Ross. Hún sækir innblástur í súlnagöng (e. post-and-lintel), byggingarkerfi sem notað var í arkitektúr Forn-Grikkja, Indverja og Egypta. Kerfið byggir á því að nota lóðréttar súlur til að bera lárétta bita eða þvertré.
P-L 07 kertastjakinn fæst í tveimur litum: silfurlituðu og svörtu eloxuðu áli.
EFNIVIÐUR: Ál
MEÐHÖNDLUN: Anodized.
MÁL. H: 10 cm. x B: 32 cm. x D: 22 cm.
37,900 kr
HÖNNUN: Nick Ross.
P-L línan er hönnuð af skosk-sænska hönnuðinum Nick Ross. Hún sækir innblástur í súlnagöng (e. post-and-lintel), byggingarkerfi sem notað var í arkitektúr Forn-Grikkja, Indverja og Egypta. Kerfið byggir á því að nota lóðréttar súlur til að bera lárétta bita eða þvertré.
P-L 07 kertastjakinn fæst í tveimur litum: silfurlituðu og svörtu eloxuðu áli.
EFNIVIÐUR: Ál
MEÐHÖNDLUN: Anodized.
MÁL. H: 14 cm. x L: 19 cm. x D: 19 cm.
204,000 kr
The Pace Table Lamp by Caine Heintzman for A-N-D (2025) brings the series' defining language to the tabletop. Derived from the notion of rhythm, tempo, and repetition, Pace distils its form to a single, luminous glass cylinder — thin, lightweight, and quietly sculptural. Illumination passes through consecutive layers of glass, producing gradients and reflections that animate the surface. The lamp rests on a clear glass base and features an intuitive touch dimmer. Winner of the Azure People's Choice Award 2026.
A-N-D is a design studio founded by Caine Heintzman, working at the intersection of material research and spatial light. Each piece in the A-N-D collection is conceived as a singular object — precise in form, deliberate in material, and designed to evolve within its environment. The Pace series represents the studio's ongoing investigation into rhythm, repetition, and the transformative quality of light through glass.